Instructor | Hao-Wen Dong (ude.hcimu@gnodwh) |
Room | Moore 376 (Davis) or Zoom |
Days & times | 9–10:30am, Mondays & Wednesdays |
Office hours | By appointment |
An introduction to the emerging field of AI music. This course introduces students to AI’s applications in music from analysis, creation, retrieval to processing. Example topics include music transcription, optical music recognition, music source separation, automatic music composition, music synthesis, music recommendation and auto-mixing. Students will gain hands-on experience on using AI tools through open-ended assignments and a final project on a relevant topic of their choice. Prior coding experience is recommended.
Content | Out | Due on | |
---|---|---|---|
Homework 1 | Real or fake!? | Jan 15 | Jan 22 |
Homework 2 | Music & audio processing | Jan 31 | Feb 7 |
Homework 3 | Musical note classification | Feb 5 | Feb 19 |
Homework 4 | Source separation | Feb 21 | Feb 28 |
Homework 5 | AI Song Contest | Feb 28 | Mar 14 |
Homework 6 | Music Generation | Mar 28 | Apr 14 |
Due on | |
---|---|
Group forming | Mar 12 |
Pitch | Mar 19 |
Presentation | Apr 21 |
Report | Apr 28 |
All grading and regrade requests will be handled on Gradescope.
Homework | 55% | Project | 45% |
---|---|---|---|
├ Homework 1 | 5% | ├ Presentation | 15% |
├ Homework 2 | 10% | ├ Results | 15% |
├ Homework 3 | 15% | └ Report | 15% |
├ Homework 4 | 5% | ||
├ Homework 5 | 5% | ||
└ Homework 6 | 10% |
The final grading scale is as follows.
A+ | >96 | B+ | 87–89 | C+ | 77–79 | D+ | 67–69 | F | <60 |
A | 93–96 | B | 83–86 | C | 73–76 | D | 63–66 | ||
A− | 90–92 | B− | 80–82 | C− | 70–72 | D− | 60–62 |
There is no required reading. Here is some good optional reading:
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